Showing posts with label novella. Show all posts
Showing posts with label novella. Show all posts

Wednesday, February 3, 2010

Review I 'Salvation on the Damned' by Theresa Meyers

Title: ‘Salvation of the Damned’
Author: Theresa Meyers
Pages: 63
Genre: Paranormal Romance
Standalone/Series: Novella
Publisher: Silhouette

I have an unhealthy attachment to vampires in fiction, but I believe that every reader has that guilty pleasure, which he/she wishes to keep a secret. I’ve read enough books to know the ins and outs about vampires. Urban Fantasy and Paranormal Romance in general are no mystery to me, but Meyers’ offering manages to balance between familiarity and uncharted waters.

It’s Mardi Gras in New Orleans. Evaline should be having fun, but her life is neither pleasant nor exciting, until handsome Raphael sweeps her off her feet and takes her to a gathering that possibly spells her death. It turns out that Evaline is not just an accountant, but the sole human being that can save the entire vampire race by being sacrificed. An additional kick to the groin is the fact that Evaline is also Rapahel’s reincarnated former lover, whom he also sacrificed a millennia prior.

It’s a first to see a willing human sacrifice, which is eager to screw life in order for a race with an unsavory rep to survive for the upcoming millennia. Meyers throws some good ideas re the vampires, giving them a more victimized nature and a not so menacing nature. Background is good and the ritual to save a whole race is an untypical element. The reincarnation is a nifty decision, but whatever strength these elements provide, the execution takes away.

Meyers has no control over what happens in her story. Crucial information is revealed at most inappropriate moments, thus killing early chances for building suspense or weaving a mystery or teasing the reader to turn the page. It is why the good ideas never delivered any satisfaction whatsoever. The reader is told, rather than shown, which is the bigger damper. The prose is at best derivative. Word choices trigger déjà vu at a steady pace and it even ruins the heated sex, which I have never seen before.

The Verdict: [C-] I am not an ass, generally, but I seldom come across a written work that I reject almost wholly.

Thursday, August 20, 2009

"Afterlife" by Guy Smith

Title: "Afterlife"
Author: Guy Smith
Pages: 114
Format: Novella
Genre: Literary/Speculative Fiction
Standalone/Series: Standalone
Publisher: G3 Media

What you can expect: A humorous, slightly sarcastic, and dynamic exploration of the afterlife in a manner that strays away from tradition and offers a fresh glimpse to how life after death may develop.

Pros: I am partial towards humor and sarcasm, both of which are largely uncharted waters in literature, since the sense of humor manifests and branches out in a highly individualistic way in every human being. “Afterlife” managed to make me chuckle.

Cons: Heavily overwrought prose, which dragged the story on several occasions. I find it a joy to see an erudite accommodate new-fangled phases every now and then to showcase a broad vocabulary, but here it felt over the top some of the times. The constant replacement of ‘death’ with ‘demise’ remained my pet peeve.

Summary: After death, one soon discovers that every theologian was right. The afterlife offers too many inconvenient options including the chance at reincarnation, a boring existence as a ghost, the ultimate demise of oblivion or a short walk into the great unknown on the other side of The Light.

AFTERLIFE is a humorous yet tragic tale that forces everyone to rethink their postmortem prejudices. If you think life is frustrating, try death.

Characters: “Afterlife” is the narration of a deceased man, who after a fatal car crash has to adapt the world that is beyond the living. Along the way pop up odd characters such as Sarge, head of the group named the Watchers, who guard the souls of babies at Mercy Hospital, and Old Thomas, a very unpleasant, elderly ghost with a venomous tongue and long experience as a ghost.

There is a certain air of anonymity regarding the main protagonist. He remains unnamed at large, which is quite easy as the story is delivered through a very skillful first person point of view and apart from his professional experience in marketing comes off as a regular person. He is a hard-working man, devoted husband and a good guy. As a character he doesn’t stand out with a unique trait, because this isn’t the author’s intent. “Afterlife” documents what an average person would experience as a ghost and Smith succeeds with a realistic depiction of the average man, which in turn makes it easy for the reader to identify with the character’s fate.

Sarge and Old Thomas are what I like to refer as tutorial-characters, who ease the reader and protagonist alike in the world of the not-yet-departed dead through their own experience. Both characters are a joy to read in conversations and reveal different aspects of the afterlife in a way that doesn’t betray realism.

The Story: “Afterlife” boiled down to three elements that helped me build my opinion – concept, dialogue and prose. Dialogue I think is the strongest aspect of the novella as it added a very vibrant, up-beat and electric dynamics to the story. The concept of the afterlife here is fresher in a sense that it’s funnier and yet more logical than what society has imagined it so far. I understood why ghosts would be agonizing in boredom and how they would move in this world and be repelled by matter. The prose as an element here worked sometimes against me. Smith is an erudite man and to have such an intellectual command over the language is deserving of high praise, but as I said there were occasions where it was too much, where the narrative felt unrealistic and I couldn’t buy that a man would reason like that.

Otherwise the story itself has a bit of everything, essentially mimicking life itself. There is love, which in these circumstances can be viewed as the impossible variety. There are the bonds of friendship involved, betrayal, some action and excitement, enlightenment, laughter and tears. “Afterlife” is a tragedy within a comedy, which manages to end on a positive note and certainly aspire hopes that death is as interesting in real life as it is here.

The Verdict: Can’t say it is an addictive page-turner, but it’s a fine investment for your book collection.

Rating: 4 out of 5 satisfied nods.
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